Visual
Analog-Inspired Elements – Old film effects, Polaroid frames, and VHS distortions bring a sense of nostalgia. Designers often incorporate these elements to mimic the aesthetics of past media formats, such as TV screens with scan lines, cassette tape designs, or faded print advertisements https://imaginesocialgood.org/best-mobile-apps-for-photoshop/. These details help recreate the visual language of a bygone era, making the design feel more immersive and emotionally engaging.
The 60s is known as the modern decade that experimented with bright colors, LSD-inspired psychedelia, and fluid patterns. This time is seen as a turning point for graphic design. Visual communication took a very different approach from the earthy tones that dominated the 50s, transitioning to vivid neons. Here are the 1960s trends that are making a comeback.
In order to create your very own Bauhaus collage, you’ll simply need to open the Picsart app on your phone and search for Bauhaus or Avant-Garde backgrounds. You can use a combination of vintage fonts and stickers to give your design a more dynamic look. If you don’t have time to do it yourself, simply tap Replay on the image below and recreate it easily with your own images.
Theatrical artwork
The house, brimming with spectators, is a testament to the allure of the live theatre experience. Audience participation and the energy of being part of an event as it unfolds live is unique to this art form.
In a theatre production, the hierarchy of roles from the director to the stage manager orchestrates the ensemble of actors and actresses to breathe life into the performance. The theatre company encompasses a collection of individuals, each with specialized tasks, managed and unified by the director to achieve a coherent vision.
Gentileschi’s Judith and Holofernes is perhaps one of the strongest representations of theatrical climax within Baroque painting. Utilizing Caravaggian tenebrism and chiaroscuro on the figures, Gentileschi implies a powerful sense of dramatic stage lighting, as well as urgent, swift movement. The scene itself has an almost Shakespearian vibe to its violence, bearing strong tonal resemblance to the assassination of Caesar. Indeed, the Apocryphal story of Judith beheading the Assyrian Holofernes was memorable for both its religious relevance and its purely compelling nature as a narrative, and Gentileschi communicates the drama of the entire ordeal in spades through the implied choreography of her actors, as well as her choice of environmental tone and design. One of the reasons this piece stands out is because it seems very literally “staged”, with the dark black background being strongly reminiscent of a black curtain in a theater. Tenebrism in painting is not so different from the backdrop of a stage, and, especially in this case, serves to create an almost identical effect.
Her focal points of interest in art history encompass profiling specific artists and art movements, as it is these areas where she is able to really dig deep into the rich narrative of the art world. Additionally, she particularly enjoys exploring the different artistic styles of the 20th century, as well as the important impact that female artists have had on the development of art history.
The Old Woman Cooking Eggs is a more mundane example of theatricality within artwork, but one that is essential to completing the metaphor. Velazquez’s earlier work focused on depicting the more general aspects of daily peasant life, such as his Water Carrier piece, and The Old Woman Cooking Eggs is no exception to that. However, part of the charm of the piece in differing from Titian’s scene with Christ is that even without the blatant historical references and sheer magnitude of iconographical emotion it still possesses an equally compelling sense of theatrical narrative, regardless of how uninteresting the subject matter may seemingly be. The sharply contrasted figures are organic, and rendered precisely enough to be very believable within their setting. It is possible that this snapshot of daily life was almost more compelling to a casual viewer due to its basic relatability. The commission’s close ties to the working class suggest that this piece very intentionally references its subject matter in a natural, organic form, further increasing its ties to theatrical representation.
Film graphic
“To be a member, you have to have two film credits, which makes it a little difficult for newbies to get access,” Mina says. “However, if you’ve just graduated and you’re interested, you can request to add a post, which will go all the members.
The daily prophet, Newt Scamander’s’ passport, Azkaban posters, books, and everything else were created by the graphic designers’ in partnership with the rest of the scenography team. It makes the magic world believable and makes the audience engaged.
Some shows are very, very research-intensive. Period pieces for example, where recreating that world is paramount. Other shows will use limited research to guide a style for a specific location or set. We have to create a convincing environment for the actors to work in, so knowing what big and little details will help the audience suspend disbelief and keep the focus where it needs to be: the story being told.
“Of course there’s some practical elements, I don’t need to say about learning industry standard software as most people will know that already. But extending your skillset to know how to work with an ink or nibs pen, or working with a different medium, like charcoal, for example.
Kerrie Hughes is a frequent contributor to Creative Bloq, and was once its editor. One of the original CB crew, Kerrie joined the team back in 2013 after moving from her role as staff writer on 3D World. Since then she’s written regularly for other creative publications such as ImagineFX, Computer Arts and Digital Camera World. After a stint working for the police, Kerrie is back reviewing creative tech for creative professionals.
Lastly, Mira stresses the importance of being able to keep a cool head. “There can be a lot of putting out (metaphorical) fires in this industry, and panicking is just completely unhelpful,” she says. “People who are calm under pressure, willing and flexible are all good traits to have in this industry.”