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Tackle complex, multi-step tasks. Agent mode reads your codebase, suggests edits across files, runs terminal commands, and responds to compile or test failures — all in a loop until the job is done. Further refine agent mode to fit your team’s workflows with VS Code extensions and Model Context Protocol (MCP) servers.
Tackle complex, multi-step tasks. Agent mode reads your codebase, suggests edits across files, runs terminal commands, and responds to compile or test failures — all in a loop until the job is done. Further refine agent mode to fit your team’s workflows with VS Code extensions and Model Context Protocol (MCP) servers.
Extensions are add-ons that customize and enhance Visual Studio, including extra settings, features, or uses for existing tools. With thousands of extensions on the marketplace, you’ve got options galore to increase your productivity and cater to your workflow.
Visual Studio Code is a lightweight but powerful source code editor which runs on your desktop and is available for Windows, macOS and Linux. It comes with built-in support for JavaScript, TypeScript and Node.js and has a rich ecosystem of extensions for other languages and runtimes (such as C++, C#, Java, Python, PHP, Go, .NET).
Visual Studio is the fastest IDE for productivity. Target any platform, any device. Build any type of application. Work together in real time. Diagnose and stop problems before they happen. It makes the stuff you do every day more fluid and responsive.
The Visual Studio IDE is a creative launching pad that you can use to edit, debug, and build code, and then publish an app. Over and above the standard editor and debugger that most IDEs provide, Visual Studio includes compilers, code completion tools, graphical designers, and many more features to enhance the software development process.
Cinematic artwork
Alongside such noteworthy instances, Efendi also notes some lesser-known, obscure, and arcane parallels like the painting Lamentation of Christ (1475-90) by Andrea Mantegna in the film The Return (2003) by Andrey Zvyaginstev and painting Over the Town (1918) by Marc Chagall in the film Sexy Beast (2000) by Jonathan Glazer, that are much newer discoveries or analyses.
The 1925 painting The House By the Railroad, portraying the changing America with old houses left out of context with the advent of railroads, is picked up by Hitchcock. The old House, waiting to be explored by the railroad, then becomes the landscape for the horror to unfold.
The influence of cinematic techniques on painting has opened new avenues for artistic expression, merging the dynamic qualities of film with the timeless nature of painting. By incorporating elements such as framing, lighting, color, and narrative structure, painters have been able to create works that not only capture a moment in time but also convey deeper stories and emotions. This interdisciplinary approach enriches both mediums, offering viewers a multifaceted experience that engages both visually and intellectually.
David Hockney’s A Bigger Book showcases a series of images that tell a story when viewed in sequence, much like a storyboard. This approach allows painters to explore temporal progression within their work, creating a more dynamic and engaging narrative experience for the viewer.
Empire of the Sun artwork
In the case of Craonne, which was entirely obliterated by artillery, the village had to be rebuilt on a nearby site, while the ruins of the original settlement were abandoned to nature. As a result, the only way for photographers to identify Craonne was by providing a caption.
Researching her series, Dewe Mathews worked closely with academics to locate the forgotten places along the western front where these unfortunate combatants had been shot. She then travelled to each spot and set up her camera there at dawn, recording whatever could be seen a century after the executions had taken place.
Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.
Simon Norfolk (British born Nigeria, b. 1963) Bullet-scarred apartment building and shops in the Karte Char district of Kabul. This area saw fighting between Hikmetyar and Rabbani and then between Rabbani and the Hazaras 2003 © Simon Norfolk
“From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography.